Pretty Woman (1990)

Pretty Woman

Pretty Woman is a 1990 American romantic comedy film directed by Garry Marshall from a screenplay written by J. F. Lawton. The film stars Richard Gere and Julia Roberts, and features Hector Elizondo, Ralph Bellamy (in his final performance), Laura San Giacomo and Jason Alexander in supporting roles. Its story centers on down-on-her-luck Hollywood hooker Vivian Ward, who is hired by Edward Lewis, a wealthy businessman, to be his escort for several business and social functions, and their developing relationship over the course of her week-long stay with him. Originally intended to be a dark cautionary tale about class and sex work in Los Angeles, the film was reconceived as a romantic comedy with a large budget. It was widely successful at the box office and became one of the highest-grossing films of 1990. The film is one of the most popular films of all time; it saw the highest number of ticket sales in the US ever for a romantic comedy, with Box Office Mojo listing it as the #1 romantic comedy by the highest estimated domestic tickets sold at 42,176,400, slightly ahead of My Big Fat Greek Wedding (2002) at 41,419,500 tickets. The film received positive reviews, with Roberts's performance being praised, for which she received a Golden Globe Award, and a nomination for the Academy Award for Best Actress. In addition, screenwriter J. F. Lawton was nominated for a Writers Guild Award and a BAFTA Award.

Plot


Edward Lewis, a successful corporate raider in Los Angeles on business, accidentally ends up on Hollywood Boulevard, in the city's red-light district after being rejected and breaking up with his girlfriend during an unpleasant phone call in which Lewis appears highly controlling; he asked his girlfriend to escort him during his California business trip, but she was offended that he could demand from her whatever he wants, as if she is his 'beck and call girl'. After leaving the party where he had this unpleasant phone call, taking his lawyer's Lotus Esprit luxury car, Lewis encounters a prostitute, Vivian Ward. He stops for her, apparently lost and having difficulties driving the car, asking for directions back to Beverly Hills. It is not clear if he really wants to hire her, or just get help getting back to his hotel. He asks her to get in the car and show him how to return to the Beverly Hills Regent where he is staying. It becomes clear that Vivian knows more about the Lotus than he does, and he lets her drive him to his hotel. Vivian charges Lewis $20 for the ride, and then they separate. He goes to his hotel, and she goes to the bus stop to go back to Hollywood Blvd. Lewis goes back to find Vivian waiting for the bus, and decides to hire her for the night, and then later, to play the role his girlfriend had refused, offering Vivian $3000 to stay with him for the next six days as well as paying for a new, more acceptable wardrobe for Vivian. Edward is visibly moved by her transformation from hooker to sophisticated woman, and begins seeing Vivian in a different light. He begins to open up to her, revealing his personal and business lives. Edward takes Vivian to a polo match he sponsors in hopes of networking for his business deal. His attorney Phillip begins to suspect Vivian to be a corporate spy. Edward reassures him by telling him how they truly met and Phillip approaches Vivian, suggesting they do business once her work with Edward is finished. Insulted by Phillip and furious that Edward has revealed the secret of who she really is, Vivian wants to end her arrangement with Edward. Edward confesses to feeling jealous of a business associate who has paid Vivian some personal attention during the week. Vivian's straightforward personality is rubbing off on Edward and he finds himself acting contrary to his normal personal and business personalities. Clearly growing closer, Edward flies with Vivian in his private jet to see La Traviata in San Francisco. Vivian is moved to tears by the story of the prostitute who falls in love with a rich man, further edifying Edward's feelings towards Vivian. After the opera Edward appears to have truly fallen in love with Vivian. Growing extremely fond of Edward, Vivian breaks her "no kissing on the mouth" rule (which her friend Kit taught) and finds herself falling in love with him. He offers to put her up in an apartment so she can be off the streets but she rejects it, insulted and says this is not the "fairy tale" she dreamed of where a knight on a white horse rescues her. In meeting with business associates whose company he is in the process of "raiding", Edward changes his mind at the last minute. His time with Vivian has shown him a different way of looking at life and he suggests working together to help save the associates' company rather than tearing it apart and selling it off for a profit. They will build big ships together. Furious over the loss of so much money, Phillip goes to the hotel to confront Edward, but only finds Vivian. He blames her for changing Edward and attempts to force himself on her. Edward arrives and throws him out of the apartment. With his business in L.A. complete and his return to N.Y. imminent, Edward tries to persuade Vivian to stay one more night with him because she wants to, not because he's paying her but she refuses. On his way to the airport, Edward re-thinks his life and his unexpected feelings for Vivian. He has the hotel chauffeur detour to Vivian's apartment building where he leaps from the white limo and "rescues her"; a visual urban metaphor for the knight on a white horse rescuing the princess, fulfilling Vivian's childhood fantasy.

From Wikipedia, the free encyclopedia - https://en.wikipedia.org/wiki/Pretty_Woman